It’s easy to love the good reviews when they come. It’s not as simple to dismiss the uninspired ones. Being in good company makes it easier. Litro panned Ian McEwan’s Nutshell and my Womb in the same sentence.
Litro, the
UK’s largest print and online literary magazine, has a print distribution of
130,000 in addition to their larger online presence. So I’m thinking a
lackluster review is better than no review at all, which is what books published by
smaller presses often get from large magazines like Litro.
I was surprised to discover this review of Womb a full trimester before the novel's publication.
“Womb: A Novel in Utero by Eric D. Goodman is
to be published early next year by Merge Publishing. Like McEwan, Goodman rises
to the challenge posed by the foetus’ limited perspective, relating a story of
betrayal and domestic turmoil through the filter of the uterine wall. The
narrator of Womb is in possession of knowledge beyond
his experience, this time not the work of podcasts but of a ‘connection to the
greater consciousness’ which ‘allows me to peruse the works of great
philosophers and thinkers, to study sociological and psychological experiments,
to witness the past and see such theories put into practice in the field’.”
The reviewer goes on to describe Ian McEwan and
me as either lazy or inexperienced, using another author’s words to do so.
“‘One of the commonest signs of a lazy or
inexperienced writer of fiction is inconsistency in handling point of view,’
David Lodge informs us, and it is this inconsistency ... that
undoes the carefully-constructed conceit around which both novels hinge.”
Of course, one can’t please all readers, and I do expect some
non-stellar reviews. However, I do feel the reviewer took some of my text out
of context, as pointed out by another reader in the comments. Never does Womb
imply that anyone but the pregnant mother should make a decision about her
child. The “let him decide” line quoted in the review was the narrator telling
his mother to let her husband decide whether he was ready for fatherhood, not
whether she should have the baby.
The reviewer had as much good to say about Womb and Nutshell as she
did bad. She also reviewed a third novel in utero, What Becomes Us by Micha Perks.
“There is a common thread to these novels.
Perks examines the mother’s journey from past to present: determined to erase
her own history, she embarks on a reinvention of self to match the invention of
self happening inside her. Goodman laments the loss of unlimited knowledge.
After the baby’s birth, his language fragments into staccato-sentences. And
McEwan’s newborn mourns the ‘private ease of Mother’s womb’, as Thomas Gunn
wrote so memorably in ‘Baby’s Song’. Gunn’s baby wishes to be ‘put… back/ Where
it is warm and wet and black’. Now, ‘raging, small, and red’, he knows that
while things may be forgotten, ‘I won’t forget that I regret’. This regret, a
startling sentiment in narrators who haven’t yet lived, permeates all three
novels.”
Read the full essay about these three wombs
with a view in Litro.
Labels: #litro #IanMcEwan #Nutshell #Womb #MicahPerks #InUtero #WombLiving #Fiction #Review